Burnished brass · Surfaces
Surfaces
Surfaces
From light brass gold to almost black anthracite. Seven burnished tones, plus two patinated finishes in green and turquoise that appear on brass only when they are created in the workshop.
KorinthLight, brushed, silky sheen
Interiors that should stay light, furniture fronts, portals
Interiors that should stay light, furniture fronts, portals
PergamonLight greige, satin, soft clouding
Large interior wall surfaces, foyers
Large interior wall surfaces, foyers
SolarisGolden brown gradient with a violet sheen
Single surfaces, counters, objects meant to catch the eye
Single surfaces, counters, objects meant to catch the eye
AthenWarm mid brown with a golden undertone
Façades and wall cladding, the tone chosen most often
Façades and wall cladding, the tone chosen most often
RomaDark chocolate brown over an olive ground
Façade and interior, where it should read calm and deep
Façade and interior, where it should read calm and deep
Alexandria SchliffGrey brown, matt, grinding still visible
Surfaces with directional texture, lifts, door leaves
Surfaces with directional texture, lifts, door leaves
AlexandriaAlmost black anthracite, matt
Dark façades, contrast against pale stone
Dark façades, contrast against pale stone
OsloMid green with fine mottling
Accent surfaces where green is intended
Accent surfaces where green is intended
VancouverTurquoise with olive gold speckles
Accent surfaces, art in architecture, single pieces
Accent surfaces, art in architecture, single pieces
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9 finishes
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For architecture and planning practices we send the sample plates at no cost. Select above, enter the address here.
What a sample shows
A sample plate shows the colour character and the kind of clouding, not the exact image of your later surface. For judging on site we recommend looking at the sample in daylight and in raking light, because burnished surfaces read differently depending on how light falls.
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